by Natalia SzułdrzyńskaORCHESTRA, SOLOISTS AND ORCHESTRA Tract-act for solo contrabass flute, solo contrabass clarinet, solo bass saxophone and orchestra (2021 – work in progress) Upwind upstreaming for two flutes and orchestra (2018 – 2019) Stirrings of the Will for orchestra (2005 – 6) Symphony no.2 (2004 – 2005) Hommage à Tadeusz Kantor na orkiestrę (2003) Concerto for bassclarinet and orchestra (2003) Soliloquy no.2. Landscape of frozen thoughts for bassclarinet and 20 strings (1999) LARGE ENSEMBLE, SOLOISTS AND LARGE ENSEMBLE (10 and more musicians) Ten-oboe-cirlce for 10 oboes in spatial placement (2023) Air Paths. Entangled Echoes. Double concerto for amplified cont ratrabass flute, amplified contrabass clarinet and ensemble (2016 – 2017) Symphony no.3 for soprano solo, baritone solo, solo piano four hands and lar ge ensemble (2011 – 2013) Postgrammar by Milosz for 15 instruments (2011) Meanders – Layers – Mechanisms for ensemble (2002 – 2003) Symphony no.1 for 20 instrument (2003 – 2004) Concerto for alto saxophone and ensemble (2001, revision 2003) CHAMBER MUSIC (3–9 musicians) Warsawind for 2 female voices, 2 pianos, 2 percussions and audience voices ad libitum (2021) Twinkleverberings for 2 flutes and piano (2021) The Ray of Ultimate Whiteness for accordion duo and string quartet (2018) Roundflow/Throughflow/Outflow for 8 spatially amplified cellos (2014) Wind pennants for bass recorder quartet (2010) Differance for two pianos and two percussions (2007 – 2010) Rhetorics of un – …/Un… – rhetorics for string quartet (2007, revised: 2015) Always Present Longing for bassclarinet, percussion (marimba, vibraphone), piano and violin (2005) Kaspar Hauser’s Friends for flute, bassclarinet, alto saxophone, vibraphone, harpsichord and strin g quartet (2004) Enfant terrible for flute, clarinet, trombone, percussion, piano, violin and cello (2003 – 2004) Ballade no.2 for bassclarinet, marimba and violin (2003) Ballade no.1 for bassclarinet, harp and cello (2002) Dutch Toccata for two bassclarinets and two pianos (2002) Soliloquy no.1.Boiling – hot mind for flute, clarinet, trombone, percussion, piano, violin and cello (1999) Duo Saxar – pulsar for alto saxophone and harp (2024) Different Silences 3 pieces for baritone and piano to texts by Cyprian Kamil Norwid (2024) Cooperative no.3. Square of vibrant impresence for bassclarinet and accordion (2018 – 2022) Affective Trajectory for bass saxophone and piano (2019) Flarea for flute and harp (2017 – 2018) Halfsparkling – Halfdreaming for percussion and piano in spatial amplification (2017) The Derivative for flute (bass flute) and piano in spatial amplification (2016) The Volatile for piano and percussion (2015) α Binomial for two flutists (2012) β Binomial for tenor saxophone and bassclarinet (2012) Cooperative no.2 for cello and accordion (2010) A lettter unfished…, a letter discovered… for percussion duo (2008) Accusal in a form of rondo for percussion duo (2008) Rozedrgranie for two pianos (2006) Hommage à György Kurtág 21 miniatures for violin and bassclarinet (2005 – 2006) Passacaglia in memoriam Alfred Schnittke for bassclarinet and piano (2005) Cooperative no.1 for alto saxophone and accordion (2005) Bagatelle no.3 for two trombones (2004) Bagatelle no.2 for clarinet and bassclarinet (2003) Bagatelle no.1 for alto saxophone and baritone saxophone (2003) Solo The Book of Levers for solo B contrabass clarinet (2022-2023) (Tenderly) Applied Micrology for solo cello (2013) Contr – atrophy for solo (tenor) saxophone (2012) Gesture and pulse for solo violin in spatial amplification (2010) Poetics of un – …/Un… – poetics for solo harpsichord (2007) Inquietude for solo bassclarinet (2005) P. S. for solo piano (2005) P. S. for solo harpsichord (2005) EDUCATIONAL Initials for the PrimaryMusic School in Grajewo for 8 violins (2005)
