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kosma

Intervista Comporre Oggi 2018


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THE COMPOSER’S ESSAY ON HIS OWN MUSIC


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Initials for the PrimaryMusic School in Grajewo for 8 violins (2005)


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Recent Posts

  • Rozedrgranie performed in Katowice 17.12.2025
  • Volatile Formants performed in Krakow 19.11.2025
  • Let you sound, let you circle! for 6 performers with spatial amplification (2025)
  • Let you sound, let you circle! premiered in Krakow 13.11.2025
  • Volatile Formants premiered in Warsaw 04.11.2025
  • Volatile Formants for bassclarinet violin and cello (2025)
  • Double Constellacctions for two solo accordions, 20 string instruments, percussion and electronic media (2024)
  • Double Constellacctions premiered in Gorzow Wielkopolski 02.07.2025
  • Saxar – pulsar for alto saxophone and harp (2024)
  • 11.15.2024, Soliloquy no. 2. Landscape of Frozen Thoughts in Kielce Philharmonic
  • “Merit for Polish Culture” distinction
  • Different Silences released on CD “Norwid's Songs” Recart 0060
  • May 1-4, lecturer at Composer's Scene at Krzysztof Penderecki European Music Center in Lusławice, Poland
  • The Ray of All-Whiteness performed during 36. KMFK in Krakow, Poland
  • 20th and 21st Century Counterpoint: Olivier Messiaen's Counterpoint during Open Day at AMKP in Krakow
  • Different Silences 3 pieces for baritone and piano to texts by Cyprian Kamil Norwid (2024)
  • Ten-oboe-cirlce for 10 oboes in spatial placement (2023)
  • The Book of Levers for solo B contrabass clarinet (2022-2023)
  • December 6, 2023, The Book of Levers European premiere
  • World premiere of The Book of Levers for solo contrabass clarinet
  • (Tenderly) Applied Micrology recommended by ISCM Polish Section for ISCM World Music Days 2023
  • Warsawind for 2 female voices, 2 pianos, 2 percussions and audience voices ad libitum (2021)
  • Twinkleverberings for 2 flutes and piano (2021)
  • Tract-act for solo contrabass flute, solo contrabass clarinet, solo bass saxophone and orchestra (2021 – work in progress)
  • The Ray of Ultimate Whiteness released on CD DUX 1815
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